Anubis in Ink

This week, having been incredibly inspired by the wonderful art produced by the children at school, I had a go at drawing the ancient Egyptian god, Anubis. (We are studying the Ancient Egyptians in Year 3.)

I started with a basic sketch of the main shapes…

Then I improved my sketch, making it more detailed and trying out different shapes and patterns…

Once I had all of the main ideas in my head I drew over my pencil in ink and then removed all of the pencil with a putty eraser to make an outline drawing…

At this stage I decided to get rid of the eyebrow as it detracted from the traditional ancient Egyptian eye shape. My next job was to fill in all of the solid black areas. I like to do this for the whole drawing as solid black has a strong effect on the final balance of the picture, so if I do it all at once I can feel something of how it will turn out. Here’s the drawing with the solid black areas added…

You can see where I used different inks. The detail and outer edges of each area were done with my trusty Pigma Microns but I used my Pentel Brush Pen to fill in larger areas. You can’t see the difference by eye but the scanner picks it up. Finally I worked on the details and textures to create my finished drawing…

This was a lovey piece to draw. It was incredibly relaxing and fun!

An Ant – watercolour pencil

 

This week I did a bit of a challenge.  I painted an ant using a single watercolour pencil.  The idea of this kind of exercise is to try to use the full tonal range of one colour or shade.  I chose black because it’s traditional for ants and has the strongest tonal range.

I began, as usual, with a basic sketch…

 

Then I worked on getting a detailed outline which was fairly accurate to my reference…

 

Then I began painting with my single black watercolour pencil.  I used a water brush to activate the pencil I laid down.  Here’s how it looked when I was a little way into it…

 

After some very pleasurable concentration I finally got it finished.  Here is the finished piece…

 

I have to give some credit for this to my cat, Leia.  She helped me rely less on looking at reference since, in her eyes, the reference photo was more of a cat toy which she felt the need to own…

🙂

 

 

 

Jean-Luc

 

This week’s art is a pencil sketch of the wonderful Patrick Stewart in his role as Captain Jean-Luc Picard of the Federation Starship, Enterprise.  (Oooo, I just got goosebumps from using that full title!)  I didn’t intend this drawing to go onto the web – it was just something I was doing while watching a few episodes of Star Trek The Next Generation in preparation for the new series Picard which has just come out.  After playing around with a couple of sketches I pulled up this rather dashing portrait photo from the web (All rights to Paramount / Viacom)…

 

 

…and made a proper sketch of it.  Apologies about the lack of process photos – I just got really involved with the drawing.

There is an odd intimacy which comes with painting anything.  Usually I really like it – especially with animals and plants.  It seems to strengthen my bond with other living things.  But when I do a portrait of a person I find I’m quite mixed about this “close” feeling.  Although I know, and very much value, Patrick Stewart’s excellent work, I don’t know him, the real person behind the actor, and so the intimacy feels odd and out of place.

Anyway, here’s to a smashing new series from a superb actor, Picard

 

 

 

It was done with graphite HB and B mechanical pencils on watercolour paper.  (Looking back it would have been better on Bristol Board but I used what was to hand.)  I do love drawing more mature faces – the beauty of the person seems to come through more.

A Fantasy Firebug

I was looking through Wikipedia at various invertebrates when I came across the Firebug (Pyrrhocoris apterus). Here is a link to the page. I really liked it’s striking colours and decided to make a sketch…

At first I planned to use the real bug as a basis for a more fanciful “line and wash” painting. I began this by adding the kind of comb like antennae which are usually found on moths. Once that was done I had a go at adding similar patterned protrusions to parts of the creature’s legs but this seemed to unbalance the picture and I worried that they might reduce the striking nature of the colours later on, so I rubbed them out and just kept the moth antennae.

Next I made a simple ink outline drawing…

After that I went over this in detail as if I were making an ink drawing…

My final step was to paint the wings and body with watercolour and then touch up the black once the paint was dry.

Here’s the final image (I added a shadow in photoshop)…

I like the final picture but feel a bit sad that I didn’t find more fantasy changes to make to my insect. Sometimes I just get caught by the weirdness of reality!

Detailed drawing – step by step

This week I made a detailed drawing of a Dragonfly. Here’s my step by step process of doing this…

1. First I draw the basic shapes very lightly. Here I’m just looking at the bigger shapes of things. (I have a tendency to jump ahead and include some more detail in this but I try to stop myself from doing that because I need the basic big angles and connections to be right.) So here I was looking at the size of the body compared to the wings, the angle the body was on and the angles of the wings. When I do this basic layout I try not to think about a 3D object in 3D space at all, rather I think about the shapes and relative sizes in 2D only. So, in a way, I never draw an animal or whatever my subject happens to be, I just drew a group of basic shapes. Doing this I don’t have to push my mind through the shape transitions needed for forshortening, I just deal with flat shapes.

(I forgot to photo this stage when I’d finished it, so this is taken just after I’d started to put in a little more detail on the abdomen and wing joints but before I went over all of my lines more accurately.)

The pencils I used for this are two mechanical pencils (I can’t find my Graphgear at the moment.) and a mechanical pencil sharpener to keep things tight.)

2. Once I’ve got my basic shapes looking right, the next stage is to look more carefully at the line directions and angles and redraw all of my outline with greater accuracy and add some more obvious details like the wing joints and abdominal sections.

As I go I use three types of eraser – a thicker pencil eraser, tiny detail pencil eraser and putty…

3. Next I add more of the major details to the wings and refine my linework even more. I quite enjoy this stage as I can see really accurate lines coming out clearly for the first time.

4. Then I went to work on the detail. I began with the wings which have gorgeous patterns in them…

Then finally I added my shading to the body…

My final step was to add a shadow which was a bit tricky because my reference was a cut out digital image and didn’t have one.

Here’s the final drawing…

A tribute to the Hollow Knight

Ok, I admit it, I’m a massive gamer. It helps enormously to manage my pain and keeps my mind very active. I recently bought a Nintendo Switch Lite which is a handheld games machine by Nintendo (who have a superb reputation in this area). That way, I can play wherever I am. One of the games I’ve recently got is called Hollow Knight by Team Cherry. The game is set in a fictional land of bugs. It’s beautiful. The artwork in the game just blows my mind away. Here are some examples..

They use a simple cartoon style for the foreground objects and then a digital watercolour / gouche style painting effect for the backgrounds. It’s a lot like Studio Ghibli.

So I decided to paint a tribute to them in traditional media. This post details my first try at this. It’s quite difficult to make a traditional painting look like a digital design since all of the tools of the trade are different.

I began with a basic watercolour wash on which I pencilled in my basic drawing…

As usual I used several pictures as reference and combined different parts of them. Then I added my lineart…

And then finally I painted the foreground. I used watercolour for almost all of it with some white gouache mixed in in places and used on it’s own for highlights.

Quick Comic Practice Studies

This week I ‘ve been very busy with the end of term so here are the final panel art practice sketches I made in the summer. I had been doing really quick 10 minute sketches from TV to speed up my ability to draw comic panels. For this last section of the exercise, rather than sketching from a video, I tried to draw 3 sketches of real comic panels by artists I enjoy as quickly as possible without them becoming unrecognisable.

I began with Masashi Kishimoto’s Naruto. I studied two original panels by Kishimoto and then tried to draw and tone them really quickly.

The first one was a picture of Naruto’s sensei Kakashi in a classic ninja pose. This one took about 10 minutes in total…

The second was also from Naruto and has Naruto, Sasuke, and Sakura sitting together. This one had a lot more detail in it and took me 15 minutes. I blew my time limit on the background details…

The final study I did was from a comic series called DMZ written by Brian Wood with artwork by Riccardo Burchielli (and sometimes Wood himself). The panel is of the moment a nuclear device is triggered in New York during a fictional future war in the US. It’s an amazing panel. My study took about 15 minutes. Here’s what it looked like…

So, that’s the end of my quick practice studies

(NB: All three panels here were drawn and inked by me, but they are not my own original work – they are studies of the comic art of Kishimoto and Burchielli.)

The Fae

A while ago I watched the TV series Carnival Row on Amazon Prime. I loved it. Travis Beacham’s story and world was fresh, different and beautifully crafted. I was totally blow away by it. It’s set in a Victorian world where mythical races, collectively called “The Fae”, have been discovered. They include pucks, faeries, kobolds and centaurs. It is wonderfully done. Having watched the series, twice, I felt inspired to paint my own faerie. Last time I posted about this I got to the stage where I’d played around with the the idea and drawn some quick thumbnails.

From there I made a basic sketch of the pose I’d decided on…

Next I used this as a reference for a more careful drawing to use in my final painting…

Then I began to paint. I added a yellow wash with more pigment around the area where my sun was going to be and less elsewhere. (The yellow is a bit stronger on the actual painting than in this photo. I think my camera noticed that I was taking a photo under artificial light and corrected the white balance a bit too far..) Here’s the photo…

Then I painted my larger areas with some initial colour. For the wings I began with a light ultramarine wash with a tiny bit of viridian in it. I tried to keep it light enough that some of the sun colour would show through. Here’s this stage…

Now I wasn’t happy with the brown trousers she is wearing (above) so I reworked them into a blue. It gave me a really nice shade. I see brown as just a darker version of orange so I used that information to help me mix a new blue on the page. Once that was done I added some shading for all of the main colours and shapes and then got into the details – always my favourite part!!!

Here’s the final picture…

(PS: I’ve been unwell this week with a bug going doing the rounds at school. Apologies for any typographical errors etc. Although I wrote this post weeks ago I normally do a final editorial check before publication, however I haven’t been able to do that this week.)

Ten Minute Video Observation Practice #6

 

This is the last week of video observation practice.  My 10 minute practice drawings seemed to follow a war theme this week although it wasn’t intentional.  It began when I watched a documentary on the Vietnam War which was horrific in places and difficult to watch.  Then I  got into looking at clips of the Royal Navy and Royal Marines.  Finally I ended up, where I nearly always end up, with Star Wars!

Here’s the picture I sketched from the documentary…

 

Here’s a sketch of Royal Marines deploying in a RIB from an RN ship…

 

And here’s a Star Wars rebel fighter pilot going into hyperspace!