Zebra – in ink and watercolour

 

This week I drew and painted a zebra.  Again I used a lot of photographic references for the final design.

This is my method.

  • I began by laying out the animal’s shape in a basic form.  Generally when I start to sketch I use single lines for the limbs and polygons for the body and head shapes.  While playing around with this I also take relative measurements using my pencil to get the proportions correct.
  • Once I’ve got the basic shapes and distances down lightly I begin to draw more accurate forms using the polygons as a map to keep my picture accurate.
  • Then I do a bit of a clean up of the polygon and leg lines and any rough areas of my drawing with an eraser and make any adjustments I need.
  • Next I begin to ink the drawing.  I found it useful this time to ink some basic parts of the animal with the finest ink pen I have, a 0.05 Micron.  Then I started to ink the stripes with a thicker pen.  This was SO therapeutic!

  • The hardest thing about the stripes was trying to use them to help define the 3D shape of the zebra’s flanks.  Once I had that done as well as I could, I finished off the ink drawing.

  • Next I began adding watercolour paint.  Zebra that I have seen on film in the wild seem to always have a dusty look to their lower legs and under their bellies so I wanted to bring that colour into the picture.  I also wanted some background terrain colour and some greys to help define shapes and also on the zebra’s nose where he has a greyer colour.
  • I built this up in stages and then it was finished.

Here’s the final painting…

 

 

In terms of using ink and watercolour I think this is the most effective animal I’ve ever tried with this combination of media.  The ink lends itself so beautifully to the zebra’s colouring and just a small amount of additional colour really seems to work.

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Atlantic Ghost Crab

 

Continuing with ink and watercolour this week my post is of a painting I made of an Atlantic Ghost Crab.  I used a variety of photographic references, particularly for the drawing, and for the basics of the colour, but I did use some artistic licence in painting this little fella.

 

Here’s the ink drawing…

 

And here’s the finished painting…

 

 

In painting this I discovered that I am able to paint more loosely when I have the strong clear lines of the ink drawing already there.  I used my Micro 0.5 again for the ink and my Winsor and Newton Artist’s Watercolours for the colour.

Caterpillar in ink and watercolour

 

I had some more fun this week with ink and watercolour.  My subject was a little lime green caterpillar.  I think there’s something magical in the way tiny little life forms like this have their own ways, life-cycles and patterns of movement.  When I saw the reference photo for this it looked to me like the little guy was praying!

I worked on this over several days as my pain has been bad again.  I started with a pencil sketch which I helpfully forgot to photograph.  Then I inked the pencils.  Rather than drawing regular width cartoon style ink lines I used my 0.5 micron pen like I would a pencil and sketched the picture in.  It was quite fun because the end of the nib is slightly flat so if I use it at an angle I can get really thin lines from a fairly heavy pen.

Here’s the ink sketch…

 

 

Then I began painting the background.  I considered using gouach to get a nice plain flat colour but decided to play around with watercolour again.  Instead of going for a flat look I used a really textured brush stroke pattern.  At first it looked kind of weak…

 

 

But as I added more layers it got more depth…

 

 

I wanted it really dark so that I could shadow my main subject without losing too much in the way of contrast.  Finally I painted the caterpillar in my usual style.  Here’s the final picture…

 

Watercolour and Ink

 

Over the weekend I saw a beautiful watercolour of a bird on Reddit posted by V4nG0ghs34r77.

I thought it was beautifully done and I really liked the way the artist had mixed ink and watercolour to great effect.

Often with “Line and Wash” paintings I find myself quite underwhelmed because they seem so often to look twee and sort of chocolate box’y which just doesn’t work for me.  I can’t stand it.  (This is just a personal taste, not because any particular style of art is better than any other.)  But V4nG0ghs34r77 used the ink in ways which gave it depth and texture and it really worked!

So I’ve been playing around with ink and watercolour this week to see what I can make.

I began with a chameleon…

(The chameleon and branch are watercolour and ink but the background was added digitally.)

And then went on to sketch a bit of an owl…

 

(This is all watercolour and ink – no digital stuff.)

The owl was definitely my favourite.  When I drew and painted it I was really in a place where I was just playing around, not formally painting anything.  I think this really helped because it was just a rough ink sketch with some watercolour dabbed on wherever I thought.  I didn’t use any reference except for a photo for the eyes.  In terms of colour I went with a paynes grey / ultramarine mix against a cadmium yellow / yellow ochre / burnt umber mix. Because they felt like opposites and gave a nice contrast to each other. 

This is the first time I’ve been able to really loosen up when inking and painting.  I kind of treated the whole thing like a sketch.  I am pleased with the results.

 

The Shape of Light on Water #5

 

This week I concentrated on adding watercolour to my pencil drawing of a water splash from last week.

Here’s the drawing I started with…

 

First I masked my absolute highlights with masking fluid.  Then I used a graded wash of phthalo blue and viridian green but I kept it really light and pulled out some colour with my brush where I wanted the light to come through.  Then I added some slightly darker washes to the shadowed areas…

 

I then added paynes grey and a touch of ultramarine blue to the greeny blue colour I was already using and began to push the darks darker and add to the darker shades of the pencil.  I did each bit seperately so there was time before each bit dried to pull a gradient out of the dark colours where I wanted it.  This was so much fun to do!

Finally I worked on balancing the tones and pulling the picture together as a whole.  It was mostly there already but a I did push the main sine wave form across the front of the picture a little more.

Here’s the result…

 

 

Now when my son saw it this time his comment was “Wow – that’s so looks like water now!!!”  – Result!   😀

The Shape of Light on Water #4

This week I was looking at how water splashes.  I began by looking through about 50 different splash photographs to find what kind of water splash I wanted and to get a feel for the way water bends and focuses light.  Then I used a combination of the best five or six and adapted them into my final original design.

Here’s the start of the drawing.  I made an overall light sketch of the general areas and then completed most of the tones in each section before moving on…

 

 

Here’s the final pencil drawing…

 

I used my graphgear 1000 for most of it and filled in the greyer tones with another 2B mechanical pencil.

Graphgear 1000

As it goes I feel pleased with how it looks although my son couldn’t see it as a splash until I told him what it was so I’m clearly not quite there yet.  I do think it’s an improvement on last week’s effort though.

The more I look at the finished pencils the more it cries out to be painted.  Do I dare mess with it further?

Well yes!!!  If you can’t follow your heart in painting then where can you?!  I know it might be “hit by anti-aircraft guns” again but I’m going to give it a go anyway.

🙂

The Shape of Light on Water #3

This week I worked on a more abstract approach to water.  I was looking at ripples and reflections.

Here’s the piece…

 

I used W&N Watercolours, masking fluid and some white Gouache.

At school we ask the children to evaluate their work with a thing called ‘Two Stars and a Wish’ which means think of two things you are pleased with about your work and one thing you would like to change.  So my two stars are, I like the colours and I like the shapes generally.  My wish is that I wish it looked like water!!!!

Sometimes in my life as an artist I feel a lot like Bill Watterson’s character Calvin from his famous  and brilliant comic strip ‘Calvin and Hobbes’

“Hit by antiaircraft guns.” – Watterson’s a genius.

The Shape of Light on Water #2

 

This is another painting I attempted in my work towards learning how to paint water.

I saw a great video on YouTube by a really good watercolourist called Steven Cronin.  (Here is his channel.)

This is his video:

 

I thought I would try to follow his technique and see if I could paint a version of the same thing.  Please note this was just a study to help me learn how to do it.

His painting was using only one colour – a mix of blue and payne’s grey.  But I wanted to add a colour for the light rather than just relying on the white of the paper.  So I added a yellow.

Here’s my version:

 

I couldn’t quite get it like Steven Cronin’s picture  – I don’t have his control of paint from a big brush.  To try to work around this I made a few changes to the way I painted it.  I used a wet on dry technique after the wet on wet phase to give sharper edges to the hills around the lake and I used a wet brush on the almost dry forground to pull out some shadow reflections.   All of that said, I think it does bear a likeness to Steven’s work and I can read the image as a picture of water.  So that’s a step forward!

Thanks Steven!!!

 

The Shape of Light on Water #1

 

I’ve been unwell for a few weeks.  Up until now my posts have been already written and scheduled weeks before they were published so it’s all worked automatically.  However now I have run out.  I am feeling better but I’m still waiting to see if my doctor will give me an operation so I’m not up to much in the way of painting.  (I was too ill for the surgery I was due to have earlier this week.)

So I’m going to post some stuff this week from last summer when I was inspired by a beautiful holiday on a boat in Norfolk.  None of the following pictures are really finished works – instead it’s a record of my progress in trying to paint water.

I became fascinated with the shape of water and the way light reflects from it while we were on the boat.  But, try as I might, I found water very diffcult to draw.  At first I couldn’t even really see clearly what I was looking at because it was moving and changing all the time.  So I studied still photos of bodies of water and tried to see the pattern.

My first go at painting this was fairly poor…

 

 

It seems to me that my boat is sailing on some gently rippling cotton material rather than water!  The gold paint was my attempt to salvage the painting, with little success.

Then I had a go with pencils.  I used Faber Castell Aquarelles.  With this picture I was looking to simplify the patterns I could see in my photographs so I limited myself to three colours.

 

 

I lost control of the blues in places and they’ve kind of leaked into the other colours.  I’m not sure if this worked with or against the likeness of water but either way I didn’t like it.  So I next decided to try the same picture again using gouache paint where I could be stronger with my colour boundaries…

 

 

In this picture for the first time I could see something of a likeness to water despite it being quite sylised.

Progress – hooray!

 

Next week I’ve got another painting on the same theme of water where I followed a tutorial / demo from a guy called Steve Cronin on YouTube.