Octopus Dreams #2 – The first half of a larger line and wash painting

This week’s art is the first half of a two part artwork featuring a Larger Pacific Striped Octopus outside her den. She’s sitting in a position which allows her to begin to explore and hunt but, with two of her arms still fixed to the back of her den, she can also withdraw to safety at a moment’s notice.

I began this ink drawing on A3 hot-pressed watercolour paper with some sketching…

Once I was reasonably happy with the basic drawing I began to go over it with ink. When doing this I tried to make the pen strokes clean and consistent, but I also made slight changes to the design as I went. Since this is an A3 drawing the inking took my quite a few hours but was incredibly relaxing…

I got to to this stage (above) and then stopped for the evening thinking I had probably finished inking. However, when I looked at the picture again the next day I felt that some full black shadows around the bottom of my octopus and around the rocks on the sea floor might help balance the composition. So I popped those in and made some other small changes to the density of my linework in various places to make my final ink drawing…

Although my inks are finished my picture is not yet complete. I want to keep the picture in black and white, but add some greyscale tone to it. Previously, with other pictures, I have done this digitally and I’ve tried doing it with mars lumograph pencils and with markers, but I want to try something different with this one.

I am really looking for an authentic way to tone ink drawings. While I can get really lovely results painting tones in digitally, it always leaves me feeling slightly unsatisfied because the final picture comes out of the printer and not directly from my hands. It’s almost as if the printer steals some of the joy of making the art – or perhaps I’m more traditional that I thought!

So, next week I’m going to tone this picture with black watercolour. I want to use the same techniques I used to paint an ant in watercolour (Link to Ant Painting Here). This time, however, the painting will go over the top of an ink drawing. I did think about doing this with charcoal, but after some experimentation on scrap paper I decided against that!

Octopus Dreams #1 – A small gouache painting

This last week has very much been an Octopus Week for me. πŸ™‚

It began when I watched My Octopus Teacher on Netflix. At first I thought it was going to be a natural history program, but after about 25 minutes it was clear it was more of a memoir. It’s about a professional film-maker who became really burnt out in his life. Then he attempted to find his way back to himself, his work and his family through a friendship he made with a wild octopus. It was actually quite wonderful – I really enjoyed it.

Then, once I was in the mood for Octopuses, I came across a fellow blogger’s excellent book review of Sy Montgomery’s The Soul of an Octopus. Again, I thought the book would be more of a natural history tome but again it was really a memoir and this was all to the good as it was also a very enjoyable read!

So I have decided to create two or three octopus pictures over the next few weeks.

Simple Gouache Painting

This week I worked on a simple octopus painting in gouache. It’s a painting of the famous and deadly Blue-ringed Octopus. The animal itself is gorgeous looking, but carries enough venom to kill 26 adults despite being really quite small!

One night when I couldn’t sleep I scribbled down the idea for this picture on an envelope…

Then I made a clearer drawing on a piece of cardboard I reclaimed from the packaging which comes when you buy books online.

Next I painted the background but forgot how very opaque gouache can be so I lost my initial drawing!

I redrew it quickly in pencil and then got my paints out.

I painted the local colour of the octopus first…

…and then put in some basic shading to indicate the three dimensional shape of the animal and it’s basic colour pattern.

Once that was done I went to town of the details of the rings and the richer darker tones of the octopus right next to it’s rings. Finally I added some white to give the octopus a shine. Here is finished painting…

Reflections

My aims with this painting were to try to show the dimensionality of the animal’s legs. I wanted to use a colour scheme which included the bright blue the animal shows in it’s rings when it feels threatened. Finally I wanted the octopus to look like it was floating free in space with his legs all out around him.

The idea I had of putting in the shine was something I was in “two minds” about. An object which is underwater doesn’t show this effect since it is created by the thin film of water on the object when surrounded by air. However as humans, frequently we visually “read” this effect as indicating wetness. In the end I decided to put communication of the slimy, wet, feeling of an octopus above the physics of underwater reflection.

Next week – I’ll be starting a large octopus ink drawing which will probably take a couple of weeks to complete. (I think it’s pretty appropriate to draw and octopus in ink!!!) πŸ™‚

Dan Droid and Autism – A Digital Art Design

This week I worked on a simple greyscale digital art design of an android. I called him Dan because if you say Dan Droid it sounds close to Android (which I thought was funny) and also he reminds me of Asimov’s Daneel Olivaw who was my favourite robot as a child. (I think I also rather unconsciously modelled his human looks on a Euphonium player I knew at school called Daniel.)

I began with a simple sketch. One of the things I’ve been working on recently is how to better use my drawing tablet to get nice tapered lines. I really tried to work on that here. It meant drawing faster and having more faith in my hands to do the right thing without the constant supervision of my brain. Here’s the sketch…

Next I planned out a basic elecronic look for the part of his face which is showing his internal structure. I looked at reference for the muscles and bones of the face for this so that I could mimic real human anatomical structures with electronic equivalents. So the group’s of wires you can see, for instance, model muscle groups in the face.)

After that I added my darkest shadows. I really do love the way solid blacks look in comic art. At this point I gave him black hair to balance the image tonally, even though my Euphonium friend had blond hair.

Then I added 2 levels of greyscale tone using a cell-shading approach.

Finally to finish off the image I surrounded him with a background reminicent of electronic circuit diagrams. I though he looked really great amongst all of that.

So here is the final image…

Reviewing the art

Looking at this drawing, I like the way he’s walking across the frame but turning to look the viewer in the eye. I think it engages the viewer a bit more and also reveals his inner nature. I also like the simple cell-shading style although that’s really just a matter of personal taste.

If I wanted to add more I think I would render the background into 3D and make some parts of it look like matte metal and some parts look like chrome. I could then drop a shadow behind him onto the background to really make him stand out.

Reflections on Androids and Autism

In terms of the meaning of the art, I personally think people draw their own meanings from things like this. For me, this is all about what it feels like when I suddenly make a mistake and reveal my autistic nature. It’s very much like I have suddenly turned my head and now they can see what I really am. The electronic background he seems to carry with him is like the label of autism which other people then see.

There are some folks who think autistic people shouldn’t be compared to robots, but personally I think it’s a good metaphor. In order to do the normal social things that neurotypical people find automatic I have to set up a whole raft of decision-making flowcharts in my head, remember them in detail and follow them. This feels like having to build and maintain external circuitry to my regular self in order to hold simple conversations. The huge extra work of managing this circuitry is one of the things that makes socialising so draining.

For a long while I have felt ashamed of being this way, sort of deficient. However now, through counselling, I am beginning to believe that being my own self might be OK (with the same caveat as everyone else in the world, which is that a person acts decently).

I follow Terry Pratchett’s Granny Weatherwax on this one. She says. .

It’s not my place to tell β€˜em what to believe, if they act decent.’

A Short Digital Light Exercise

This week’s art is a digital lighting exercise. The aim was to try to find a way to show light reflecting off a wet surface in a really simple way. I gave myself 30 minutes for this exercise and no reference materials just to see what I could come up with from imagination alone.

I decided to draw a city scene at night in the rain. Here’s the sketch I began with…

Once I had my basic drawing mapped out I painted in the colour from the back of the scene to the front. Like this…

Once I had all of my colour in I pulled the image into Photoshop. Then I added some rain in blues and yellows and reworked my tonal values to produce my final image…

The drawing and painting did take half an hour and then I spent another 10 minutes or so playing about in Photoshop after that.

I was pleased with the way the light shone through the material of the lady’s umbrella and the relative brightness of the street lamps. I would have like to do something more for the headlights of the car but without reference I could’t work out how that would look. At the time I gave myself an excuse that the lights were nearly head-on and dipped for in-town driving so I didn’t have to do much, but thinking about it now, just putting some light in front of teh car ont eh road would have helped.

πŸ™‚

May the 4th be with you!

Happy Star Wars Day everyone!!!!

On this wonderful May 4th I wanted to share some Star Wars Fan Art. I’ve got some Star Wars universe species sketches, some digital Star Wars Rebels portraits, three pencil drawings and a watercolour painting of our beloved Yoda!

star wars Species Sketches

Star Wars Rebels portraits

Pencil portraits of obi-wan kenobi

My favourite character in all of Star Wars!!! πŸ™‚

Alec Guinness as Obi-Wan
Ewan McGregor as Obi-Wan

geonosian warrior pencil drawing

Yoda in watercolour

I drew or painted all of the art in this post, however, because it’s fan art, please note that the intellectual property belongs to Lucas Film.