How to get Photoshop 6.0 to run after the Windows 10 Build 20H2 Update

This is not one of my usual art blog posts. As some of you know I’ve owned a full licenced version of Adobe Photoshop 6.0 for many years but when I updated Windows with the 20H2 update Photoshop failed completely. I was gutted because I paid a lot of money for that software and I can’t afford the new Creative Cloud version.

Fortunately for me I have a wonderful son who is a talented and tenaciaous software engineering student at Uni. He found a range of solutions I could use. The best of these was to use Windows compatability mode on my original Photoshop software. Windows itself recommends XP service pack 3 via it’s troubleshooter but this didn’t actually work. I got the same fatal error. So I ran it in every compatability mode it has and I found one that works – Windows 98 / Windows Me!!!

So, for anyone else in my position who is struggling with Adobe Photoshop 6.0 after the lastest Windows 10 update, here are the instructions to to get it working. (I can’t guarentee it will work for you, it may depend on how your machine is set up and how you have installed Photoshop, but this fix is completely and easily reversable so if it doesn’t work you’ve lost nothing.)


Find you Photoshp.exe file. (Caution, the spelling of the file is slightly different from the word Photoshop – it’s Photoshp.) In most installs it can be found at:

C:\Program Files (x86)\Adobe\Photoshop 6.0\Photoshp.exe

Here’s mine…

Right-Click the executable file. Then click Properties at the bottom of the menu as shown below.

In the properties form, click on the Compatability tab.

Now find the Compatability Mode part of this tab. (Don’t bother running the compatability troubleshooter – it gets it wrong.) Click the checkbox so there is a tick in Run this program in compatability mode for: and then select Windows 98 / Windows Me from the drop down box. It should look like this…

Finally Click OK at the bottom of the form

Next you can run Photoshop as you normally would. Windows will ask you if you want to allow Photoshop to make changes to your PC. This is because it’s running in compatability mode and it’s fine so Click OK.

…And, hopefully, Photoshop should run!!!


(PS: I’ve done some basic work with it and had no issues so far. It’s the best solution that I’ve found. I will update this page if anything else comes up. Best of luck!!!)

The Cardinal’s Mistress

This image comes from a pencil sketch I made while watching the CBC series “Tudors” about the life of Henry the VIII. At the end of the first season the mighty Cardinal Wolsey is in trouble with his King and is living in discrace with his mistress in a dilapidated house with a leaking roof. All the way through the series I was really touched by Sam Neill’s (Cardinal Wolsey) and Lorna Doyle’s (the Cardinal’s longtime mistress Joan) performance here. They were able to show us another side to the scheming and ambitious Cardinal – a man, like any other man, going through some serious difficulties with the help of his wife. There was a tenderness to those scenes which I found really moving.

Here is the pencil sketch…

I pulled the sketch into Autodesk Sketchbook and began to colour it.

First I just put in some mid tones roughly in the background. In the TV programme the walls were a cream colour and there were were various browns around in the furniture. I added the blue to my composition to give the viewer the feeling of water which was everywhere in the scene.

Next, using a similar palette I filled in some basic midtones in the foreground…

Once this was done I needed to push my shadows and highlights a little with the colour so that the pencil shadows don’t have to work so hard. I also experimented with adding some other colours here and there to add depth to the painting…

I then finished off the image in Clip Studio Paint. Here is the final picture…

I like the unity between the foreground and background and I quite like the hints of green I put into her dress. If I redid this picture I would be more careful where I put the dark greyish navy shadows in her hair. I think they work in places but don’t in others.

Max and Mouse – A Comic Strip

In the last couple of weeks, while I’ve been resting, I’ve read a couple of excellent books about comics written by a guy called Scott McCloud.

These books are currently used in undergraduate sequential art courses and I can see why! They are brilliant! (Sequential Art is just a posh word for comics, graphic novels and any other combination of words and pictures which carry a narrative.)

I was working my way through the second book “Making Comics” when I saw an exercise Scott put into the notes sections for the first chapter…

McCloud, S. (2006) Making comics. 1st edn. New York: Harper Collins

This looked like wonderful fun! I picked the mini-plot about the dogs…

“Dog eats dog, dog burps, dog figure skates”

I began with 6 boxes…

Then I hashed out a very quick initial version of my comic strip…

Initially I planned for the Figure Skating panel at the end to tie in to the name of the strip and of the two dogs who I called Torvil and Dean after the world class figure skaters of the same names. I still remember their World Figure Skating “Barnum” performance in 1983 where they were scored a perfect 6.0 from the judges of every country. It was just a fabulous dance.

The third section of the dance still brings me out in goosebumps. I think it’s the way their dance perfectly captured the spirit of the music and the hearts of the audience at the same time. The audience begin to clap and you can just feel the joy of the moment reverberating around the stadium.

However, when I showed my mock up to my son, he had no idea who Torvil and Dean are, so the joke fell flat. I knew I was going to have to rework the art anyway so I thought I’d find a way to rework the joke too. I began with the line art…

Once I had my joke and line art finalised I then added some greyscale tones to increase the clarity and give the stip some more visual interest. I did the foreground first…

…and then the background…

Finally I tried to bring my image into Photoshop (PS) to finalise the tones and balance the whole thing out, but PS failed! I use Photoshop 6.0. It’s too expensive for me to use Photoshop Creative Cloud since the payments go on indefinitely and are way too expensive. It feels like catch 22 sometimes because I can’t get a job using PS (despite working with it since 1996 back when it was PS 4.0) unless I am up to date with PS Creative Cloud and I can’t afford PS Creative Cloud until I have a job!

Anyway, after some investigation it turns out that the new update to Windows 10 has permanently taken away my ability to use Photoshop 6.0 – so that software is simply not available to me anymore. It was a real blow. Fortunately though I also have Manga Studio 5.0. I was able to get this updated to Clip Studio Pro (the new version with a name change) and I have been learning how to use this newer software. It’s actually excellent and can do all of the everyday stuff which PS can do, plus the user interface is much much better! So, after a bit of installing and faffing about with the new way of doing things I got my image finalised – phew!

PS: Then I went to put up this post only to find that WordPress have now closed the loophole I was using to use the Classic Editor! So I had another new system to learn! It seems to be the way of things at the moment – a new year, new flowers, new software! I’m just going to go with it. 🙂

Here’s the final comic strip…

Canada Goose in Watercolour

A while back my son and I went down to our local river for our Covid exercise period. He pushed me in my wheelchair along the tow path for a little way and then went off to have a walk while I sat and painted. There were loads of narrowboats waiting to get through the lock and one was just moored up a bit further down. It was wonderful because the guy inside was playing this gentle 1970’s folk/rock music. Normally I prefer silence and the sound of the river but somehow his choice of music felt just perfect for moment.

I’m afraid I didn’t take any process photos and I didn’t quite finish by the time we were ready to go home either. But I got the basic colours and shapes blocked in.

Here’s what it looked like when I got home…

And here is a photo of the goose in question…

He was with his lady by the looks of things and the pair of them were hanging out with a pair of swans who were quite definitely courting. I know swans are regarded as more beautiful but I just loved the look of the geese (despite their tendancy to chase me when I was young!)

A few days later I painted in all of the details and repainted his eye which looked wrong to me. Here’s the finished painting…

He was a very handsome chap!

Dark Lord of the Sith

This is a digital painting of Ian McDiarmid playing Chancellor Palpatine in Star Wars. Although he’s a villain, he’s still one of my favourite characters, thanks to Ian’s superb acting work. Below are some stills from Star Wars “The Phantom Menace” (Image credit LucasFilm Ltd.)

My main reference for this painting was the top left photo (above).

I began with a drawing.

This was not made to be a proper drawing so much as a map for the painting which is why it looks a little bit funky.

Then I began to paint! At first I just scrubbed in some basic colours and tones to get the feeling for the main structure of his face and clothes.

Removing the map leaves us with this very rough sketch.

Then I began to refine the painting a bit at a time. I really enjoy this process as the details begin to appear. First I cleaned up the beautiful costume he’s wearing and then pulled together my very rough and ready rendering of Ian’s face.

Once I had things basically in the right place I worked on the details of his hair and facial features.

Finally I added a background and gave it some texture and tonal variation. This is the way I’m starting to move away from my autistic need to see each painting subject alone and seperate in a blank field.

My only job then was to pull the image into Photoshop and adjust my values. Here is my final painting.

He’s such a great character!

Here’s one of my favourite quotes from the Prequal Trilogy as Chancellor Palpatine is confronted by the Jedi Masters lead by Mace Windu…

Mace Windu: In the name of the Galactic Senate of the Republic, you are under arrest, Chancellor.
Chancellor Palpatine: Are you threatening me, Master Jedi?
Mace Windu: The Senate will decide your fate.
Chancellor Palpatine: I am the Senate!

(Clip courtersy of qpsizzle’s You Tube Channel / Film Credit Lucasfilm Ltd.)

Fantasy Harbour – Digital Colouring

This week I’ve been struggling with really bad pain.  So I took a sketch I drew about a year ago and coloured it digitally.

This is the original ink sketch…


Here is how I coloured it…

Some of the things I kept in mind in colouring this picture were:

  • The reflection of the sky in the river is less bright and less saturated than the actual sky.
  • Objects in the background are less saturated and slightly lighter than foreground objects.
  • The sun will tint objects which have direct light slightly yellow.
  • The sailcloth of the boat in the foreground will show some shadows from behind.
  • I also wanted to reduce my colour palette slightly to give the picture a particular feel.  (I avoided reds and only got near to red in my browns and yellows.
  • In terms of planning my colour I worked from background to foreground.  I prefer to do it this way as it works really well for traditional painting as well as in digital colouring.

Here’s the final picture…

The Razor Crest


Over the next three weeks I’m going to be posting some fun digital images that I’ve been playing around with.  This week’s image is a digital painting I made of a spacecraft called “The Razor Crest” from Disney’s Mandalorian series.  I like the shape of this one and the engine configuration reminds quite a lot of the “Serenity” from Joss Weedon’s Firefly series.

Here’s the way I painted it…

I began with some basic shapes and a horizon line.

Then I redrew the spacecraft more carefully and added some details.

Next I got rid of the basic sketch I started with and added some terrain.  The space ship was drawn from a couple of printed references, but the terrain I made up from scratch.

Then I began to paint.  My basic process is to fill in large areas of tone to give some depth to the main shape in my painting.  Then I gradually divide this simple shape into more detailed shapes.  First I put in some basic background tones.

Below I’ve begun work on the spacecraft, just giving it some basic form.

I didn’t put enough darker values into the basic form so I added them here (see below), particularly below the wings.  Although I used a couple of reference images for the ship, I wanted my light to come from a different angle so I had to see the highlights and shadows in my mind’s eye.

Then I added some specular highlights to the engines and windows.  (These are direct reflections of bright light on shiny surfaces.)

My next stage was to bring in some colour.  I wanted to use a restricted colour palette, which is something the cinematographer, Greig Fraser,  seems to do on the Mandalorian show itself.  I went for orange/yellow/brown offset against hints of blue/purple in the metal of the Razor Crest and in the shadows.  This is a fairly basic complementary colour scheme.

My final job with this painting was to pull it into Photoshop and adjust my levels.

I paint digitally on a Galaxy S4 tablet, but I often do this in bed.  I like to listen to a good book while I’m drawing.  It’s really relaxing and is great for diverting my mind away from any pain issues.  However, if I am in bed during the evening my tablet automatically adjusts the screen to darken it and reduce any blue light.  This is really helpful because it stops the light from the device keeping me awake for hours after I have finished.  It does mean though, that my levels are usually way out.  If I was working on a traditional painting this would be a big problem because the whole paniting would need reworking to correct the values in good light.  With a digital painting though it’s not too much of an issue – I just have to make some adjustments at the end and Photoshop can easily handle that.

So here is my final digital painting.



I like the overall setting and the sweet comic feel it has, but if I redid it now I would add more detail to the middle section of the background.  It could do with some rocks and gravel and general marks.  I think I would also try to work in some reflections in the lighter sand the ship is standing on, since then it would read as wet ground which might give the background more interest for the viewer.  The panel took about one and a half hours to complete.

Line and Wash – Damsel Fly


I wanted to try using watercolour on an ink drawing.  I decided to use foliage in a particular shape with a small animal, like a butterfly as the main focus.

First I worked out what sort of shape I wanted…


I tried several ideas for the main shape of my picture.

In the end I went for a spiral but I wanted the shape to form the structure of the picture but not be something that the viewer notices right away so I drew on some very light guidelines.

Then I began drawing.  Because I was drawing in a spiral I was concerned that as I moved around the paper I might smudge earlier work.  So, rather than struggling with that, I decided to draw in sections and then ink each section before I carried on.  This worked better than expected.



Gradually I worked my way around the picture…



…until I had my inks finished.



Then I used watercolour to colour and tone my image and then played around a little with my background using Photoshop.  (I had painted a simple gradient wash with watercolour but it looked flat and boring so I added some shapes with a large soft brush tool in Photoshop and then ran a filter over them to draw the changes together and soften them.)  Here’s the final piece…


Developing Characters for a Comic Strip

I began thinking of writing a comic strip a couple of years ago when I heard some people in a queue for the post office talking about the funny things children say. My first go at a strip on this subject was the simple one-panel strip above.

However, as I thought about it I wondered if it would be better to develop a set of characters in school and work from there. I could make each character a bit larger than life and really push their characteristics. At first I thought I might call the strip “The Little Plump Teacher.” so I began to design a little teacher around the title…

However, this direction didn’t work out. Firstly, the children were going to be the stars of the strip, not the teacher and secondly, I wanted each child to be very different from every other – with different personalities and different looks. I had been doing some reading on character design and one of the things the pros do when creating a set of characters is to make each individual have a very obvious and individual sillhouette. This gave me the idea to make my school a school for animals!

First I just played around with my ideas on a page of my sketchbook with some thumbnails of possible characters.

Then I made some quick character sketches.

At this point I decided I didn’t like the snail character “Smole”. This was partly because his personality overlapped a bit with my duck character “Duke” and partly because I didn’t like the shape.

So I created a different sixth character, “KittyKat”, a cat.

By this time I was happy with my little class, so I made some more formal character designs digitally. Here they are, ready to delight and amuse. I can’t wait to see what kind of adventures they might have!

An important side-note: Although the children I’ve taught have told me some of the most funny and heart-warming things over the years (enough to fill several books) I’m not going draw on any of that in order to protect their privacy and maintain my GDPR obligations. These characters are not based on any children I have ever worked with and the stories in the strip won’t include anything that has ever happened in a school I’ve taught at.