This last week has very much been an Octopus Week for me. 🙂
It began when I watched My Octopus Teacher on Netflix. At first I thought it was going to be a natural history program, but after about 25 minutes it was clear it was more of a memoir. It’s about a professional film-maker who became really burnt out in his life. Then he attempted to find his way back to himself, his work and his family through a friendship he made with a wild octopus. It was actually quite wonderful – I really enjoyed it.
Then, once I was in the mood for Octopuses, I came across a fellow blogger’s excellent book review of Sy Montgomery’s The Soul of an Octopus. Again, I thought the book would be more of a natural history tome but again it was really a memoir and this was all to the good as it was also a very enjoyable read!
So I have decided to create two or three octopus pictures over the next few weeks.
Simple Gouache Painting
This week I worked on a simple octopus painting in gouache. It’s a painting of the famous and deadly Blue-ringed Octopus. The animal itself is gorgeous looking, but carries enough venom to kill 26 adults despite being really quite small!
One night when I couldn’t sleep I scribbled down the idea for this picture on an envelope…
Then I made a clearer drawing on a piece of cardboard I reclaimed from the packaging which comes when you buy books online.
Next I painted the background but forgot how very opaque gouache can be so I lost my initial drawing!
I redrew it quickly in pencil and then got my paints out.
I painted the local colour of the octopus first…
…and then put in some basic shading to indicate the three dimensional shape of the animal and it’s basic colour pattern.
Once that was done I went to town of the details of the rings and the richer darker tones of the octopus right next to it’s rings. Finally I added some white to give the octopus a shine. Here is finished painting…
My aims with this painting were to try to show the dimensionality of the animal’s legs. I wanted to use a colour scheme which included the bright blue the animal shows in it’s rings when it feels threatened. Finally I wanted the octopus to look like it was floating free in space with his legs all out around him.
The idea I had of putting in the shine was something I was in “two minds” about. An object which is underwater doesn’t show this effect since it is created by the thin film of water on the object when surrounded by air. However as humans, frequently we visually “read” this effect as indicating wetness. In the end I decided to put communication of the slimy, wet, feeling of an octopus above the physics of underwater reflection.
Next week – I’ll be starting a large octopus ink drawing which will probably take a couple of weeks to complete. (I think it’s pretty appropriate to draw and octopus in ink!!!) 🙂