Octopus Dreams #4 – Designing Octopus Tattoos

Sometimes I like to try out tattoo ideas directly on my skin. I usually do this by just doodling the design in black biro. This is how this picture started…

It was quite tricky to do since I chose a spot on my lower leg! I tried to brighten the eyes with some white gel pen, but as you can see, that didn’t really work. I did enjoy having an octopus on my leg for the day though! đŸ™‚

So I thought I might make a better job of this on paper or via digital drawing. I tried digital drawing first.

Digital Octopus Tattoo Design

For this first design I wanted to make something symmetrical. So I began with a couple of circles to give me some rough guides for where I wanted parts of the shape…

Next I used the symmetry tool to draw the octopus. Using this tool I only had to draw half of it and the tool put the other half in for me and kept it symmetrycal.

Once I had a basic outline I added some other small details and removed my guide circles…

Then I added some shading. I used the pen tool to put in some darker and lighter tones and then used the blend tool to blend them together. This is exactly how I would do it with oil paint…

My final job here was to add some textural marks to the design…

Here is the final digital tattoo design…

Traditional Ink Octopus Tattoo Design

Here’s the process I went through to create a traditional ink drawing for a tattoo design. I began with the basic structure…

Then drew in an outline…

Next I inked my outline…

Then added some details…

Here is what the linework looked like once I was finished. (You might be able to see that I added some greyscale shadows in pencil on the design.)

Reviewing my work

Looking at the two designs I think each one has some strengths and weaknesses:

The digital design has:

  • Interesting textures especially on the octopus’ mantle.
  • Some webbing between the octopus’ arms which gives it a nice feel.
  • An overbearing outline which seems to me to be the wrong style for the final image.
  • A symmetrical shape which can be problematic in tattoos if the skin stretches in one direction more than another.

The tradition design has:

  • A well placed sense of the animal.
  • An interesting overall shape.
  • Textures and other design elements which work well together.
  • A lack of three dimensionality.

So having looked at both designs for a couple of days I decided to draw a new version which incorporates some aspects of one drawing and some of the other. Here is my final octopus tattoo design…

You can see I’ve based it on the traditional drawing, but added webbing, shadows, three-dimensional shading and some sand cloud and bubble effects.

Which one do you prefer?

Next week I’m going to be posting a study of a beautiful but sad Reuter’s photograph which I painted digitally.

Octopus Dreams #3 – The second half of a larger line and wash painting

I have been experimenting for some time in my artwork, trying to find a way to tone ink drawings traditionally. This week I have toned an ink drawing of a Larger Pacific Striped Octopus with black watercolour. Initially I was thinking of either using charcoal or watercolour over my ink. It was really hard to make up my mind without trying it out, so on some scrap paper I had a quick go of both methods. Here are the results of my experiments…

(Charcoal)
(Watercolour)

I decided to go with the watercolour in the end. It took more time and was not removable like the charcoal, but I liked the level of control had with watercolour and the depth of colour I could generate.

I began with a few basic washes…

Then I added some mild shadows to the light coloured sand. To do this I put on a wash of clear water and then dropped in black watercolour at the top of each wet section and allowed it to “stretch out” naturally.

Once this was done I began the painstaking work of putting in the details. Because the original ink drawing was A3, this took quite some time, but it was very enjoyable.

Here is the final line and wash drawing…