Octopus Dreams #2 – The first half of a larger line and wash painting

This week’s art is the first half of a two part artwork featuring a Larger Pacific Striped Octopus outside her den. She’s sitting in a position which allows her to begin to explore and hunt but, with two of her arms still fixed to the back of her den, she can also withdraw to safety at a moment’s notice.

I began this ink drawing on A3 hot-pressed watercolour paper with some sketching…

Once I was reasonably happy with the basic drawing I began to go over it with ink. When doing this I tried to make the pen strokes clean and consistent, but I also made slight changes to the design as I went. Since this is an A3 drawing the inking took my quite a few hours but was incredibly relaxing…

I got to to this stage (above) and then stopped for the evening thinking I had probably finished inking. However, when I looked at the picture again the next day I felt that some full black shadows around the bottom of my octopus and around the rocks on the sea floor might help balance the composition. So I popped those in and made some other small changes to the density of my linework in various places to make my final ink drawing…

Although my inks are finished my picture is not yet complete. I want to keep the picture in black and white, but add some greyscale tone to it. Previously, with other pictures, I have done this digitally and I’ve tried doing it with mars lumograph pencils and with markers, but I want to try something different with this one.

I am really looking for an authentic way to tone ink drawings. While I can get really lovely results painting tones in digitally, it always leaves me feeling slightly unsatisfied because the final picture comes out of the printer and not directly from my hands. It’s almost as if the printer steals some of the joy of making the art – or perhaps I’m more traditional that I thought!

So, next week I’m going to tone this picture with black watercolour. I want to use the same techniques I used to paint an ant in watercolour (Link to Ant Painting Here). This time, however, the painting will go over the top of an ink drawing. I did think about doing this with charcoal, but after some experimentation on scrap paper I decided against that!

6 thoughts on “Octopus Dreams #2 – The first half of a larger line and wash painting

  1. Thank-you! They are wonderful creatures! I recently contacted the London Aquarium, but they have no octopus or cuttlefish to see at the moment although they are planning to put an octopus on display in the next few months. It’s a shame because I have to go to London on Tuesday and I was hoping to extend my trip a little. 🐙

    My feeling about the octopuses being used as horror tropes is that the people who do that just don’t know what they’re really like whereas larger squid are definitely downright scary! 🦑

    Liked by 1 person

  2. Delicate and sensitive — that’s your work as well as the subject! I can understand old sailors’ traditional fears of giant squid pulling their ships down (after all whales tussle with them) but why octopuses are used routinely as horror tropes I can’t comprehend: such intelligent, curious, even creative animals.

    Liked by 1 person

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