Deeper into Art – The Whole Creative Process Part 2 of 2

Following on from last week where I documented the first four stages of my creative process. This week I’m going to look at the second half of that process. In all I have 7 steps I usually take to make a piece of art:

  1. Intention
  2. Inspiration and Reference
  3. Exploring
  4. Preparing
  5. Creating
  6. Assessment and Review
  7. Sharing

So I’ll be focussing on Creating, Assessment and Review, and Sharing.

Creating

I began drawing with pencil and then hard pastel pencils. Once that was done I layered on my pastel pigment. Here are my process photos…

It seemed to go well until I took a step back and really looked at my final picture…

Assessment and review

The final image had the wrong feel to it. So I began to look carefully at what I had done.

Here is my digital plan and my final image side by side…

I think the “Plan” worked because the reddish colour of the background is pushed towards brown which is really just a dark orange yellow and so just looked like a different tone of the same basic colour as the Buddha’s skin. This made it more restful. There was a small amount of blue in his hair which, being an ultramarine blue/ violet, added an accent of complemetary colour to the picture which I liked too.

However in my actual drawing the blue was more prominent and not as violet, and in my background I’d picked up on the red of the paper directly with my pastel colour choices so I had three colours, giving my pastel picture the wrong feel all together. Red, blue and yellow are a triadic colour combination which is a high energy variation of a split complementary colour scheme. This gave it a youthful, playful feel which just didn’t work for my intentions with this image at all.

Back to the Drawing Board

So I literally went back to the drawing board and decided to try again and rework the whole thing with a different colour scheme.ย  However I now had about half the time to get it done!

I felt that using the burgundy paper I already had was really working against my intentions at this stage so I made the decision not to frame the picture under glass but to use a fixative on it instead.ย  I thought I would present it on a backing board in a clear plastic sleeve. That way it would still make a good present and I had time to order some more supplies. I bought some fixative and some creamy grey pastel paper.

I chose this time to use a blue background with cool blue light as that would make it more serene and tie it into the Buddha resting at night. I kept the golden yellows of my Buddha’s skin and the darker blues of his hair.

Here are my process pictures as I remade the image…

And this is the finished picture…

I am much happier with the result this time. ๐Ÿ™‚ The portrait answers the question which my heart was asking when I decided to work on this.

Once it was finished I fixed it outside with a professional artist’s fixative using my home made spraying bay…

I made this out of an old vacuum cleaner box. It works really well to hold the picture at a good angle for spraying and doesn’t let the fixative go all over the ground. (I use this for varnishing gouache sometimes too.)

Assessment and Review Take Two!

I am pleased with the warm golden feeling of the Resting Buddha’s skin and the calm night-time feel of the background. I wish I could add the smell of an open wild place, like our local common, and the sound of summer insects to the scene somehow.

The final image which I gave to my friend was slightly more muted in colour due to the fixative, but that added to the gentle restful feeling of the picture.ย  (I pushed the saturation and contrast in the pastels so that it would still look good when the fixative muted everything.)

Here’s the picture after using fixative…

One criticism I have of this piece is that I drew the buddha’s neck muscles for a man sitting up or standing and then turned the image sideways as I found the kind of composition I wanted for my potrait. So the muslces at either side of his neck (sternocleidomastoid muscles if memory serves) are drawn as if they were active in supporting the head. However when he is laying on his side these muscles would most likely be at rest which would change the shape of his neck. If I went back and remade the picture a third time (!) I would find reference for the neck region of a man lying on his side so I could get this right.

It’s only a small detail but I have found that the more small details are correct in a picture, the more the viewer is able to see what I have in my heart as I paint it. It is the viewer who is, in many ways, almost a collaborator in each picture in the end.

Sharing

Well my friend really liked her picture and I was very happy to have done this for her.

Generally speaking I share my art mostly in person and on WordPress.

On the technical side of sharing art, I use tags on each page so that search engines can index my pages appropriately. This results in about half of my views coming from search engines and half from within WordPress.

I am also careful when sharing my work to keep the resolution of images down to something that displays well on the web but is too low for print as this prevents various automatic image stealing sites from grabbing my images. You’ll often see the suffix “_web” on my filenames as this helps me know when I have reduced the resolution appropriately. I keep all of the finished full-size files with a big suffix “_FULLSIZE” so that I can identify this file easily and make sure not to bin it when I clean up extraneous images stored on my PC. Keeping the resolution down to only what you need also has the effect of making file sizes small which means I don’t run into issues with running out of storage space on my WP plan even after quite a few years.

In terms of websites used to share, I’m not on facebook or twitter. I chose WordPress because it seemed more mature as a blogging site than places like Tumbler, and appeared to be more focussed on sharing projects, skills and hobbies rather just general information about a person’s day to day activities which you get on Facebook. I love to both share my work and see other people’s art, thoughts and ideas on WordPress. I value the fact that WordPress is such a supportive, friendly community. I’ve learned a great deal from connecting to other people here and I realy value the friendships I have found here.

I am also going to bite the bullet and start up an Instagram Account. Its really slow going though because Instagram can only be viewed in a portrait orientation which makes it very very difficult to use the physical keyboard on my tablet as I have to read what I’m writing sideways! Good grief! Anyway, I will find a way to get this new account set up at some point.

So that’s it, my full process! I hope it’s been interesting or perhaps useful to someone. ๐Ÿ™‚

10 thoughts on “Deeper into Art – The Whole Creative Process Part 2 of 2

  1. About that detail regarding the neck muscles…hey, it’s an image of Buddha! I’m sure Buddha could arrange to have the neck muscles anywhere he wanted. ๐Ÿ˜Š

    Liked by 1 person

  2. You are so very generous when sharing your art and processes. I love to receive your posts. It gives me ideas and lessons to try new things. You have taught me how to do shadows and make my flat 2d painting into something more. Thank you so much Jo.

    Liked by 1 person

  3. Nice! The buddha felt very bight to me, but with the fixative added I like it… ๐Ÿ™‚

    Instagram: why donโ€˜t you use the desktop/website version of Instagram to write your entries? That way you can work with your table in landscape format.

    Liked by 1 person

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