Having fun with styles.

This week I had some fun playing around with some shorter paintings and trying out different styles.  Some artists try to “find their style” but I’ve never been really bothered about that.  I have this feeling that as you develop as an artist the style thing naturally appears over the years.  It’s still fun though, to play with different ways of producing visual media.

The first picture began as a study sketch I made while on holiday in Paris last year.  We visited the Musée d’Orsay, a museum on the left bank of the Siene which really revels in impressionist paintings although there are many types of art there.  While there, I loved seeing a lot of the art.  Alexandre Séon’s The Lament of Orpheus was one of the paintings that really caught my eye.

 

Here’s a glimpse of Séon’s original work via a photograph…

 

This painting was gorgeous to see in person.  It’s odd how seeing online photos of some of these famous paintings, as above, doesn’t do them justice.  In this form it seems flat, like something is missing.  Anyway, I got out my sketch book and made a pencil sketch of Séon’s painting which I then went over quickly and lightly with ink.  This is what I used for the first of my painting studies this week.

I took the ink sketch and coloured it with watercolour and a little gouache.   I wanted to see how a classical image might look if done in a more painterly anime style.  Here’s the result…

 

I’m not too keen on this one – I think the linework is too rough to really make it click.  I quite like the sand texture from the way the paint I was using was granulating on the paper, but it doesn’t quite draw together as a good image.  Next time I will leave it as a pencil sketch while out and about and ink it more carefully later on.

 

My next painting was a small sketch of some sea cliffs in gouache.  I tried to paint big portions of them from imagination which is something I find hard.

Here’s the gouache on it’s own…

Once I’d painted them I tried to emulate a style which is being used in TellTale’s video game, The Walking Dead.  They used a fairly painterly CGI rendering of the figures and then added some comic styled edges with a filter of some kind.  It’s a beautiful effect and very suitable for a video game based on a classic comic.  You can see a little of it in this still from actual game footage…

 

 

It reminds me of the amazing film “A Scanner Darkly” directed by Richard Linklater and based on Philip K Dick’s novel of the same name.  They shot the whole film in a fairly standard way and then spent 18 months with an animation team animating the footage over the top of the digital cinamatography.  It was visually incredible.  I’ve seen it many times now and it still takes my breath away. Here’s an example of what that looked like…

 

Now I don’t have the graphics software which Telltale have or the Rotoshop software, in which “A Scanner Darkly” was animated, but I had a go at using a Photoshop to fill out some comic edges on my gouache painting.  I don’t think I got close to the way the pros did it but I like the effect.  Here’s my Sea Cliffs painting with the filter…

 

 

I wonder if this effect could be achieved in a more traditional way by outlining the art with a 005, dark technical pencil?  It might work for the edges, but I suspect it wouldn’t give me the texture Photoshop gives me in the rocks.

 

The final painting I did was a small illustration of a fox in plain watercolour over a pencil sketch.  I used wet in wet first and then went over that base with some wet on dry. Once I had it scanned in I had a go looking at it with the same filter as I used on the cliffs painting…

 

 

But, in the end, I preferred the watercolour illustration as it is…

 

 

This was the easiest of the three styles and one of the better ones for me, although I did kind of like the gouache painting with the filter.  The Orpheus image didn’t really work for me this time but could, perhaps, be improved by better line art.

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4 thoughts on “Having fun with styles.

  1. A Scanner Darkly is certainly memorable—I don’t know how long it’s been since I saw it but plenty of scenes and sequences stick in my mind.

    Your paintings are lush, as usual, but my favourite is your treatment of the Orpheus image. His déshabillé state inspired this irreverent verse:

    Lyre! Lyre!
    No pants are dire!
    But if you’re swimming
    Get trunks on hire…

    Liked by 1 person

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